About We Do the Same Thing Every Week

Dick and Jane are bored on a rainy Sunday afternoon. A six-foot tall cat shows up, and hijinks ensue. Later, elsewhere, Dick and Jane are bored on a rainy Sunday afternoon. A six-foot tall cat shows up, and hijinks ensue. Everywhere, space is a false vacuum waiting to decay. Try not to think about it while your boredom gnaws away at you. We Do the Same Thing Every Week is a one-act comedy about repetition, boredom, and the delicious, refreshing taste of Coca-Cola®.

A majority of our costs are going towards compensating our artists for their time and talent. We could not do this without contributions from people like you! In addition to directly paying our artists, your donations help us cover the cost of rehearsal space, costumes, props, design, printing, and more. Make your tax-deductible donation today.

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Help us spread the word! Share our campaign on social media using #SameThingEveryWeek. Tag @AttractiveNuisance in your posts and encourage your friends to support innovative theater. Every share helps us reach potential donors and build our audience for the May 2025 premiere!

About Attractive Nuisance

Attractive Nuisance is a production company focused on ambitious, ensemble-based new comedies. We experiment with form, music, movement, and puppetry to make surreal, genre-bending works for the stage.

In the Spring of 2021, we founded and produced the inaugural PRIMETIME THEATER FESTIVAL, a six-week theatrical event which culminated in a series of funny, fast-paced new plays in the style of classic multi-cam sitcoms, complete with commissioned commercial parodies and theme music. PRIMETIME THEATER helped to support over 30 early-career playwrights, directors, actors, and comedians in the creation of two original sitcom series. 

In December 2022, we debuted the surrealist ensemble comedy MEAT with a two-weekend workshop production at The Tank. In the summer of 2023, we workshopped TRACY TRICERATOPS AND THE END OF HISTORY, a child-detective neo-noir musical, through a weeklong residency at Vox Lab in Hanover, NH. In 2024, we were awarded a four month residency at Prototype 237 in Paterson, NJ. This residency culminated in a workshop production of Robert’s new promenade-style comedy KATIE LAID AN EGGY in November of 2024.

Liza Couser (Director) (she/her) is a director of new plays and musicals based in New York City. Select recent credits: Katie Laid an Eggy (Director, Prototype 237), Depresh Mode (Director & Composer, Evolution Festival), MEAT (Director, The Tank), Tracy Triceratops and the End of History (Director, Vox Lab), Primetime Theater Festival (Co-Founder & Producer), Polylogues (Producer, HERE Arts Center). Liza is an alum of the Roundabout Directors Group, SDCF Observership, Ars Nova Artistic Fellowship, Prototype 237 artistic residency, and 24 Hour Plays Nationals. lizacouser.com

Robert Leverett (Playwright) (he/him) is a playwright and actor based in New York City. He just completed an artist residency at Prototype 237. Select recent credits: Katie Laid an Eggy (Actor/Writer, Prototype 237), Depresh Mode (Actor, Evolution Festival), MEAT (Actor/Writer, The Tank), Tracy Triceratops and the End of History (Writer/Actor, VoxLab), and [cowboy face] (Actor/Producer, Dixon Place). 

Kerrigan Quenemoen (Producer) (she/her) is a live performance producer from Houston, TX. Her notable NYC producing credits include Suffs (Broadway), The Slow Dance (59E59), Macbeth and A Midsummer Night’s Dream (Double Feature), MEAT (The Tank), Tanya’s Lit Clit (Experimental Bitch), and Don’t Do This To Us! (The Tank). Kerrigan previously served as the Producing Assistant at Williamstown Theatre Festival before taking on her current role as Producing Associate in the Live Arts department at The Metropolitan Museum of Art. Kerrigan is a 2020 graduate of Dartmouth College.