Created by visionary Movement Artists Comfort Fedoke & Zoe Rappaport, A / VOID is an immersive dance experiencewhere movement becomes a bridge between light, sound and the unspoken.
Premiering in Los Angeles on June 13–14, 2025, A / VOIDlives inside Chromasonic Field, a renowned light & sound installation in Downtown LA's Arts District, where color becomes audible and sound becomes visible. Sixteen LA-based dancers explore the frequencies that surround and shape us, revealing the inner emotional landscapes we often hide while utilizing movement to traverse from isolation to collective transformation.
In collaboration with costume designer Lorae Russo and New York-based couturier & entrepreneur William Calvert—founder of Return to Vendor (RTV) — the world's first truly circular fashion brand—dancers will wear bespoke costumes crafted from reclaimed ocean plastics.
At a time when divisions seem ever-present & in a world that often feels disconnected, this performance offers a space to slow down, feel, and remember our collective humanity — drawing inspiration from the universal language of movement. Our mission is to foster a more mindful world where movement, design, and well-being intersect with purpose.
Through dance, we tell stories that heal and unite. Through circular fashion, we honor the earth and ethical artistry. Through wellness, we cultivate presence, empathy, and self-expression.
By weaving these elements together, we aim to spark dialogue, build community, and shape a more conscious, connected future.
Comfort Fedoke is a Nigerian-American Emmy Award-winning dancer, choreographer & filmmaker widely known from So You Think You Can Dance who recently was the Associate Choreographer for Wicked (the film), and the West End’s #1 show Cabaret.
Zoe Rappaport, recognized by the LA Times as a leading Creative Movement Director propelling the field forward, has been working with global brands, major artists & pop culture icons across dance, art, fashion, and music in Los Angeles & New York for nearly two decades.
