Apogee is a journal of literature and art that encourages the thoughtful exploration of identity and its intersections, including but not limited to: race, gender, sexuality, class, and ability. We pay tribute to the Black feminist Combahee River Collective in our recognition that “the major systems of oppression are interlocking,” and to that end, work to combat the domination of white, cis-heteronormative, patriarchal voices in our literary landscape.
We feature fiction, nonfiction, poetry, and visual art. Our purpose is threefold: (1) to publish fresh work that interrogates the aesthetic and political status quo, (2) to provide a platform for underrepresented voices, prioritizing artists and writers of color (3) to model more radical conversations and practices regarding equity and publishing.
The word “apogee” denotes the point in an object’s orbit that is farthest from the center. Our approach to both art and political activism operates with the same motivation to center underrepresented artistic voices from the political margins. We want to affect change on multiple levels: to transform ideas, to extend possibilities for writers’ positions in art and literature, and to impact policy.
Learn More: http://www.apogeejournal.org