From Italy by Antonio Masini at Madison Arts Center; Lincoln at Kearny Library; Sophocles' THE WOMEN OF TRACHIS; Centennial of SACCO&VANZETTI (1920-2020), and Teddy Roosevelt in 2020/21.
ArtsPR & History speak and write to us as Art and Warning in 2020
Today we are batting 1,000. We wrote and The New York Times published 110 letters. Would you consider a gift of $100 or more in support to Fractured Atlas for our work in 2020/21 ?
My 110 letters on topics from the 1918 Flu epidemic to a lesson for 2020. Others on Broadway and re-thinking Arts in shutdown mode. More were on Economics and History. Others focused on Politics in 2020. Some on Ethics were a Tribute to my Scholarship from Rutgers University Business School (2015). They echo in an age when the whole notion of ethical behavior has collapsed. Sometimes a single letter, others receive 2 or 3 responses from other parts of the country. In most cases they received an answer from me. Not everything I wrote or submitted was published.
Meet us with a $100- donation to match our 110 letters (and counting) published in The New York Times on and in COVID-19. In formulating these Constant Contact pages I have to backtrack to re-assemble them after they were published separately just for you our readers.
We face a disconnect from our cyber work but little growth in support. While we are now planning this Fall and 2021 while making cyber Arts like https://conta.cc/2yy1b4J or https://conta.cc/3dvFwJy.
YOU CAN HELP US BELOW WITH YOUR SUPPORT: Make our day and give $100 in support to Fractured Atlas for our work in 2020/21. ArtsPRunlimited Inc remains a sponsored program with Fractured Atlas at: http://www.fracturedatlas.org/site/fiscal/profile?id=11419 Sharing this essay from Fractured Atlas for 2020/21: If we never talk to one another about money – about debt, struggling to make ends meet, or the privileges that have afforded us the opportunities we have – the myth that this country is a meritocracy continues.
Money gives you comfort and opportunities and pulling yourself up by your bootstraps is literally impossible. That’s not to say that people can’t change class position or succeed without being independently wealthy. It is, however, to say that the system is rigged against people without generational wealth and we’re societally just starting to see that with more clarity.
If we never talk about money as artists, we don’t see how economic privilege structures the art world – who can afford to pay for residencies and MFA programs, who can afford to take a low-paying job or unpaid internship, who gives grants to fund new work, who can use their own money to buy supplies or rent space".
Thanks in advance, Daniel P Quinn, Founder, ArtsPRunlimited, Inc. with Fractured Atlas since 2014.
