Chloé is a short film about how fear and prejudice, even through the innocent eyes of a child, can have horrific consequences.

Along with my co-producer, the award-winning Matthieu Moerlen, I am in the process of fundraising for this project. We hope to go into production in Normandy in July of 2022. 

  

Chloé tells the tale of three people whose lives clash during the Invasion of Normandy in the summer of 1944: a ten year-old girl with an unbridled imagination, her deaf grandmother who tries to protect her, and a terrified soldier who has lost his way. 

 

Over the course of one stormy evening, a seed of distrust blooms into a misunderstanding that has terrible consequences. 

 

Nobody, neither the little girl, her grandmother, or the soldier, will escape unscathed. 

 

 

Chloé takes place during a harrowing and pivotal moment in history, not unlike the tense and uncertain state of our current world. It is about the effect isolation has on us, the tricks it plays on our minds. It is about this great, unseen force that terrorizes us even when we can’t see it. How do children grapple with this faceless enemy? How does growing up in such an uncertain world change the way they see themselves and those around them? How does it affect their growth and the games they choose to play? Chloé is an austere fable about how we as a human race deal with overwhelming unknowns. 

 

This film also explores our tragic human instinct to destroy that which we do not understand. As an artist I still wrestle with how best to respond to this, especially in times such as these. I started making movies at the age of 10. I was a lonely, highly sensitive child and I took to filmmaking immediately. The overwhelming world only truly made sense through the lens of a camera.

 
Chloé directly supports female filmmakers. My team's mission is to create more opportunities for female filmmakers in the industry. According to the Celluloid Ceiling report, women comprised 16% of directors working on the top 100 grossing films in 2020, up from 12% in 2019 and 4% in 2018. Each dollar donated to Chloé is a dollar spent on raising those numbers at the ground level. 

Through the generosity of private donors, we have already raised $10,000. Our goal with this campaign is to raise an additional $10,000 by the end of this year, which will account for a third of our $60,000 budget, the remainder of which will be matched by grants, partnerships, and French government funding.

 

Chloé will be shot in a gritty, grainy style that draws inspiration from the depth and mystery of the Norman countryside, and also from the hypnotic works of Andrei Tarkovsky and Kelly Reichardt. The storm that almost prevented the invasion of Normandy will be present in the visual tone of the film: grey clouds heavy with rain will give us the impression of a looming threat about to boil over. Summer heat will contribute to the claustrophobic feel of the cottage with its blackout shades, dwindling candlelight and dark corners. Shadows will be muddy; beams of light will illuminate dust and smoke. Even the daylight will feel cold and death-like. Through this heavy atmosphere, the camera’s eye will capture a tinge of dark magic and folklore passed down by word of mouth. Chloé’s belief that her grandmother is a witch will feel plausible in every frame. War creates strange silences and long periods of waiting. In these stretches of time, the recesses of the mind must be filled with distraction. The soil is fertile for growing fairytales. 

 

Over the summer, I became concerned with the challenges that come along with launching an international production in a country I do not reside in. I didn’t know any filmmakers, crew, production houses, or companies in France. I knew I needed allies overseas. So…I bought a plane ticket and went to Paris! 

I spent the month of August taking meetings and exploring the countryside in search of the perfect location. As I began to build up my French network, I witnessed how positively people responded to the story. Everyone was eager to help: producers, villagers, location owners, strangers I struck up conversations with, and even the owner of a furniture depot in Bayeux who offered to rent us antique furniture on the cheap (it helps that his grandfather was the same age as the protagonist of my script when the Germans occupied Normandy!). During my travels, tour guides became location scouts. Farmers became location managers. Strangers became friends. I am amazed at the outpouring of support I was met with in France. The community building around this film overseas is nothing short of inspiring. 

 

 

When recommending Madeline Stephenson as director of the TV pilot Sheridan, her mentor Chris Goutman described her as “a filmmaker who will not settle for the easy answer, who will tirelessly investigate and dig into the material until she discovers the inevitable.” This might have something to do with her northeastern upbringing: Madeline was born and raised in the outskirts of Boston, Massachusetts. She became a filmmaker at the age of 10 after seeing Raiders of the Lost Ark and being struck by the adrenaline rush it gave her. Almost two decades later, she still considers each new film project to be a grand adventure.

Madeline studied film production at NYU’s Tisch School of the Arts, where she shot 10+ short films. Her film Terry: The Serious Actor screened all over the world, from the Coney Island Film Festival, New Filmmakers NY and LA, the Roxy Underground Film Festival, Bali’s Minikino Film Week, and Rockland Youth Film Festival, where it won an award for Best Silent Film and earned distribution on Seed & Spark’s streaming service. Madeline’s short film Dream Lover was the recipient of the Arkush Family Production Award. To supplement her education, she participates in Filmshop’s Sandbox and Jon Shear’s Directing Workshop. To deepen her directing work, she studies acting at the BGB Studio.

 

 

Matthieu Moerlen is a self-taught director, producer, and actor trained in Switzerland and Paris. He has been directing short films independently for the past ten years. Since 2015, his films have been supervised by the production company Mr Jadis, of which he is the manager and through which he produces narrative films, documentaries and commercials. Several of his shorts have won awards at international festivals.

Connor Cook is a film composer living in Los Angeles. She grew up in North Carolina, playing bluegrass and Irish music, which greatly informed her growing compositional style. Connor plays button and piano accordion, mandolin, banjo, DADGAD guitar, and piano. She was recently invited to participate in the Sundance Film Music and Sound Design Lab. Connor also spent 3 years playing in a steel drum band which further informed her compositional voice. She got her BM in Music Theory and Composition from Appalachian State University. She then attended Columbia College Chicago to get her MFA in Music Composition For the Screen. Connor has written music for many varied projects, and her most favorite things to work on are unique and eclectic projects with a lot of heart. Her greatest dream is to work on projects that mean something- projects with stories that matter to her and make her want to wake up in the morning.

CHLOÉ is a sponsored project of Fractured Atlas, a nonprofit arts service organization. Contributions for the charitable purposes of CHLOÉ will be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.