Darcy James Argue’s Secret Society

Darcy James Argue is best known for Secret Society, an 18-piece bigband “renowned in the jazz world” (New York Times). Argue brings an outwardly anachronistic ensemble into the 21st century through his “ability to combine his love of jazz’s past with more contemporary sonics” and is celebrated as “a syncretic creator who avoids obvious imitation” (Pitchfork).

Acclaimed as an “innovative composer, arranger, and big band leader” by The New Yorker, Argue’s accolades include multiple GRAMMY nominations and a Latin GRAMMY Award, a Guggenheim Fellowship, a Doris Duke Artist Award, and countless commissions and fellowships. His prescient 2016 Real Enemies, an album-length exploration of the politics of paranoia, was named one of the 20 best jazz albums of the decade by Stereogum. Like Real Enemies, Argue’s previous recordings — Infernal Machines and Brooklyn Babylon — were nominated for both GRAMMY and JUNO awards.

The long-awaited fourth Secret Society album, Dynamic Maximum Tension, coming in 2023, is named after the three words that inventor and futurist R. Buckminster Fuller combined to form his personal brand: “Dymaxion” — a term reflecting Bucky’s desire to get the most out of his materials, the utopian vision of his designs, and his quest to improve the pattern of daily life. Argue found optimism and creative renewal in Fuller’s extraordinary prescience and timelessly futuristic designs.

Argue’s affinity for blurring genres and deftly weaving sociopolitical ideas into culturally resonant work is exemplified in the “stunningly original” (Wall Street Journal) song cycle Ogresse, a collaboration with GRAMMY-winning vocalist Cécile McLorin Salvant, and in the multimedia performance Real Enemies, a “breathtaking” (JazzNu) production that premiered at the BAM Next Wave Festival.

Argue has been named Composer of the Year and Secret Society named Big Band of the Year by the DownBeat Critics Poll. He has been commissioned by the MAP Fund, the Fromm Music Foundation, the Newport Festival Foundation, the Jerome Foundation, BAM, and the Jazz Gallery, as well as ensembles including the Danish Radio Big Band, the Canadian National Jazz Orchestra, NYO Jazz, the Hard Rubber Orchestra, the West Point Jazz Knights, and the Orquestra Jazz de Matosinhos. He has received grants and fellowships from the New York Foundation for the Arts, New Music USA, Composers Now, the Mid Atlantic Arts Foundation, the Aaron Copland Fund for Music, the Canada Council for the Arts, and MacDowell.