Dynasty Handbag assumes the trappings of femininity in configurations zany and over-the-top, garbling gender codes in outrageous formulations. Digressions, rhymes, and false starts riddle her one-woman acts, providing unexpected pathways into material taken from commercials, pop songs, and tidbits of art history. As cultural theorist José Esteban Muñoz writes, “Dynasty Handbag’s queer failure is not an aesthetic failure but, instead, a political refusal. It is going off script, and the script in this instance is the mandate that makes queer and other minoritarian cultural performers work not for themselves for but distorted cultural hierarchy.”
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