We’re Jasmine Batchelor and Shayvawn Webster, and we’re excited to announce our upcoming workshop of an all-Black reimagining of Othello at BAM. By providing even a small gift today, your generosity will help us realize our artistic vision by enabling us to pay our artists and creative team! Every cent counts, and we thank you deeply for whatever you'd be able to give, especially in a climate where arts funding has grown increasingly scarce.
Why This Version?
Many Black actors have questioned whether aspiring to play Othello is worthwhile, given the problematic stereotypes the role can perpetuate. To address this fraught relationship with the text, we propose rooting Othello in an all-Black setting, thereby empowering Black performers to reclaim creative, cultural, and political control over its narrative.
Why Choose a Tragedy in 2026?
Othello, at its heart, explores the nature of tall tales: who creates them, who believes them, and the reasons behind their spread. In today’s society, where propaganda and false narratives can masquerade as fact, artists have a responsibility to challenge audiences to listen with skepticism and discernment.
Essential Breakdown of Our Idea:
- Othello is played by a darker-skinned actor, Iago by a fairer-skinned actor, etc.
- This work would serve as a study / reflection on colorism, privilege, and misogynoir in the Black community. What does it mean to be different shades of our colors and in positions of power? To be without power? What comment can we make about the complex intersection of Black patriarchy and white beauty standards in Black femmes' lives?
- Othello is usually directed and produced by Predominantly White Teams / Institutions and rarely gives Othello the chance to be as smart / intuitive as his counterparts. What happens if we are the producers, and focus on the effects of privilege and caste within our own community? Can we give more than one Black character the chance to shine in this masterfully written piece?
- Incorporating our gender-non-conforming community in key roles, further infusing characters with rich lives that were not necessarily included in the original writing of the play.
What Is Our Current Goal?
A week-long workshop, with a full company and director, culminating in an invited reading.
- We’d love to responsibly pay and feed our artists for their time.
- We’d love to invite potential collaborators to gain interest / secure further development for what we’re creating.
What Is Our Future Goal?
A non-profit off-Broadway production with outreach to Black and brown communities, incarcerated communities, and underserved communities (think of the Public’s Mobile Unit, SING SING!, etc.), in conjunction with a well-established theater.