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The Borderlands Dance Project

Fractured Atlas cannot currently accept donations for The Borderlands Dance Project because their fiscal sponsorship is inactive or expired. Please contact The Borderlands Dance Project with any questions.

The Borderlands Dance Project

Help unify Mexico and the U.S. with contemporary dance!

 Tijuana, Baja California, Mexico
  • $2,503 raised of $6,637 goal
  • 63 donations
  • -3542716 minutes left
This is a Fiscally-Sponsored Project

Fiscally Sponsored by Fractured Atlas

Nearing the end


Dear Supporters,

I officially have one month left of my residency in Tijuana, so I wanted to send you an update of my progress. Amazing things have been happening here on the other side! Enjoy the video! https://vimeo.com/331156355 

You will hear from me again after the project is complete. Thanks so much for helping me do this amazing and necessary work.

I am making a final call for donations to help me cover expenses for the last month. Please spread the word: www.bonniecoxdance.com/donate. 

I am grateful for your support and elated with how this residency is wrapping up. I hope you are doing well and that the spring weather will hug you soon. 

Love,
Bonnie

Halfway Point Update


Happy New Year Friends!

I'm about to get on the road back to Tijuana. I've been spending time with family in Austin, San Antonio and Montana for the holidays, and it's been nice to reset and reground myself. Being in Tijuana has been both exciting and challenging, and I speak to that a bit in this video I made for you, that gives a broad stokes update on what has been going on over the last for months. I'm out of breath from dancing in the video, and I'm walking around so it's a bit shaky. Sorry about the quality, but it comes from a real place :)  I forgot to mention a few key things in my video update: 

1. My day to day life: I get to Casa de la Cultura at 10:00 am. I take company class which has rotating schedule of teachers. I've been able to teach a few of those classes, but have mostly I've been taking them. We mainly do ballet and floor technique, but occasionally we change it up with Jazz and House! After training the company has rehearsal. Lux Boreal does TONS of shows, so they rehearse different things all of the time. There is a new piece in progress that I've been invited to participate in, so when we rehearse that piece I participate in rehearsal, otherwise I watch, observe and learn. After that, I head to CEART to take afternoon classes with students in the pre-professional training program, Centro de Danza y Producción Escénica de Baja California (these are the students I will make the culminating piece with). We dance from 3:00-6:00 PM. This semester we had classes in ballet, improvisation, contemporary dance a floor technique. Occasionally I'll teach some of those classes as well. Then I drive home for 45 minutes to get to my awesome apartment in Playas de Tijuana!

2. I had the opportunity to dance with Lux Boreal at a performance in Rosarito, Mexico for a group of secondary school students, and that was super fun! Definitely a highlight. 

3.. The creative process for the Borderlands Dance Project will begin on January 7th! I mean, it began a long time ago in my head, really, and then continued with the choreographic contributions I gathered from dance artists in the U.S., but on the 7th is when I'll start engaging the Tijuana dancers in the process. All of the politics surrounding the border and immigration have been making kinesthetic imprints on our bodies, and we will generate choreographic material from that emotional space.    

So, up to this point I've been focusing on training, learning Spanish, and acclimating to the culture. Spanish progress has been steady. My comprehension has been improving rapidly, my speaking, slowly. But there is plenty of time to learn, and leading regular rehearsals will help. I'm really excited to dive into the creative process with the awesome dancers in the Centro de Danza program. Stay tuned! 

Ya llegué

My Dear Supporters,

I am so grateful for you. Thank you for believing in the Borderlands Dance Project and for believing in me! After a 17 hour drive from Boulder, Colorado I arrived in my Tijuana house safe and sound. I am having all kinds of feelings-sadness, fear, excitement, discomfort, happiness, and hope. I'm on day-one of living in another country and it has already proven challenging-but that is necessary to this journey and an important part of making the art that you are helping bring to fruition.

I have a day to get settled and then the training with Lux Boreal begins! I meet the students who will be my dancers and collaborators next week. I'll dance alongside them in their classes for a few months and then we will start building the piece in January. Until then, I'm going to spend a lot of time in Friendship Park getting to know the dynamics, movements, and sentiments of this special and interesting place, and figuring out how dance can complement the already present magic. 

Because of your donations I am now eligible to apply for the National Association of Latino Arts and Culture NFA grant, which covers the rest of the funds I need to stay here comfortably for nine months. So while I did not meet my fundraising goal it was successful in carrying me to the next steps in getting fully funded. Thanks to all 65+ of you for helping me get here. Each of you is special to me-even if we haven't met yet. I hope we do someday!

If your friends heard a little too late about the fundraiser they can still make donations through my website-bonniecoxdance.com/donate. 

Updates to come!

Love,
Bonnie

Background

In graduate school, I began my research on U.S./Mexico relations: the history and geography of the border; the effect of the U.S. government’s acquisition of Mexican lands; Chicano civil rights movements; and identity politics affecting people living in the borderlands. My exploration of these issues was informed by my experience as a European/Mexican/Indigenous, racially ambiguous individual, working to restore and honor the Mexican parts of my heritage that have been hidden or forgotten. I wanted to know more about my history, where I come from, what my family has endured, and what I can add to the conversation as a Chicana dance artist. This investigation is one of cultural recovery, reclamation, and political activism, with dance as my interface. Dance is what I know. It is how I live. It is how I make sense of my body, identity, and the world.

Inspired by the work of Latinx choreographers, actors, and performance artists who have challenged dominant white U.S. perceptions of Latinx people, I crafted my MFA thesis concert, Fabricated Maps. With the help of an amazing cast, thoughtful committee, and a strong community of support, this concert-in-the-round explored the power—but also danger—that exist at the intersections of race, gender and Nation for Latinx bodies on the U.S./Mexico border.

The Journey Ahead

With my MFA in hand, I move on to the next step; the journey is just beginning. I am going to live on the border in Tijuana and work as an artist-in-residence with Lux Boreal Danza Contemporánea. I will receive training in their innovative, contemporary dance techniques and work with their dancers and students to create a new piece, which will be performed at Friendship Park, on the U.S./Mexico border. Friendship park is a place where people from both the U.S. and Mexico can visit one another. This is the perfect place for dance to enter the border conversation.

U.S./Mexican Dancers Collaborating from a Distance

With input from dance artists from both countries, I will craft a dance piece that will be performed on the border—for both nations to witness and participate in. I am collecting short dance contributions from artists in the U.S.: messages to dancers on the other side of the border, expressing—with their bodies—their thoughts, feelings, and perspectives on U.S./Mexico relations and their hopes for the future. Like the game “Telephone,” I will learn these dances and teach them to the dancers in Tijuana, who will respond or convey their own thoughts, feelings, and perspectives of U.S./Mexico relations through dance.

The dancers of Tijuana will serve as the cast for the culminating performance. We will make full use of the border fence at Friendship Park: interacting with it, illustrating the interactions between loved ones on opposite sides of the fence, while also addressing the complexities of border life. My vision is to lay bare the tensions between the U.S. and Mexico: that each side is closed off to the other, defensive, and hardened by the experience of being divided culturally, politically, and spiritually. Through dance, I want to paint a picture of what it might look like to connect, communicate, and understand each other; to live in the land of possibility.

The Logistics

The Borderlands Dance Project will take place over the course of 9 months. For the first 3-4 months I will hone my Spanish-speaking skills, build rapport with dancers in the community, train in Lux Boreal's contemporary dance techniques, and learn about their site-specific, community-centric choreography methods. I will spend the next 4-5 months developing the dance piece. During my final month, our team will refine and perform it. The final product will be performed for three weekends at Friendship Park during U.S. visiting hours.
 
This is your opportunity to help make this project happen! I have enough money to live in Tijuana for about 5 months, but the magic number for accomplishing this project most effectively is 9 months.

It takes 9 months:
for a place to feel like home
to get comfortable speaking a new language
to make a [dance] baby
to embody a new dance technique
to be touched by each season
to get comfortable enough to cry in the presence of a new friend

This is where you can help make this project happen! Your tax deductible donation will help me do my best work on the U.S./Mexico border, keeping me financially worry free so I can focus on this project. Any amount you donate will keep me in Tijuana longer. If I fall short of my goal your money still helps me stay longer than I would have been able to on my own, and that's amazing!

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It will cost $8240 to live in Tijuana for 9 months. Here is the breakdown:
 
Room: $450 per month = $4050
Board + other living expenses: $350 per month = $3150
Phone bill: $60 per month = $540
Spanish Lessons= $500
Post-project buffer money: $2500

Your contribution will go toward funding living expenses in Tijuana and providing a post-project buffer while I make the transition to the next chapter of my career. I have already acquired some of the necessary funding:
 
Total Needed: $10,740
 
Acquired Funds
CU Boulder Beverly Sears Grant: $1000
CU Boulder Latin American Studies Center Travel Grant: $400
CU Boulder Graduate Research in Dance Grant: $250
Donations from Derek Hansen's fundraising campaign (Thank you <3): $565
My Savings: $2323
Total Acquired: $4538
 
Total Remaining Need: $6202
 
But Fractured Atlas keeps 7% of the donations so the grand total I need to raise through this campaign is $6637.

If the project is fully funded, I'll be able to fully immerse myself in the experience of dancing and dance-making without having to cross the border to work (in the U.S.). This will allow me to devote 100% of my attention to the project, to build connections with the Tijuana community and potential collaborators, and research creative ways to use dance to bridge the two countries.
 
Full disclosure: I applied for a Fulbright research award that would have covered all of my expenses. I was selected as an "alternate" which means I still have a chance of getting the funding if a principal candidate rejects their award, but I'm not counting on it. If I do get the Fulbright award your donation will help me with my post-project transition and provide the means to professionally document the process.
 
Did you know that the U.S. travel advisory for Tijuana was lifted in January for the first time in decades? It's safer now than ever before and ready to be infused with more dance!
 
$5 = $103.58 Mexican pesos. That's a lot of tacos! Your donation goes a long way, even if it's small.
 
Wow. You made it to the end of my campaign spiel. Thank you so much for your time and attention! If you aren't able to help financially, please spread the word! If you want to make a movement contribution to this project please email me at bonnie.cox@colorado.edu.

*Dance photos by Ian McMorran*

Rewards

A Digital Thank You + Good Karma

Donate $10.00 or more

Amount is fully tax-deductible.

Receive amazing Karma and sweet thank you message from Bonnie!

A Tijuana Thank You

Donate $25.00 or more

Amount over $1.00 is tax-deductible.

Receive amazing Karma plus a thank you postcard sent to you from Tijuana!

Instant Choreography

Donate $50.00 or more

Amount over $1.00 is tax-deductible.

Receive all of the above plus, in the spirit of Gesel Mason, Bonnie will make an instant dance especially for you!

Border Dance Memory

Donate $75.00 or more

Amount over $3.00 is tax-deductible.

Receive all of the above plus a printed photo from one of the performances!

Dance Across Time

Donate $100.00 or more

Amount over $3.00 is tax-deductible.

Receive all of the above plus an instant dance onsite in Tijuana sent to you every 60 days for the duration of the project. 

Your Dance

Donate $500.00 or more

Amount over $6.00 is tax-deductible.

Receive all of the above plus a 2-5 minutes dance piece choreographed just for you. You pick the theme!

Hostess with the Mostess

Donate $1,000.00 or more

Amount over $25.00 is tax-deductible.

Receive all of the above plus Bonnie's tears of joy, a Lux Boreal T-Shirt, homemade Tex-Mex and margaritas with Bonnie, and the best hug you have ever had in your life.