Good trouble turns arts institutions into cultural infrastructure for the common good—public works. And when they become that, they connect talent with opportunity. Troublemaker: Public Works is my platform for work that gives good trouble its shape.
My creative practice (dance and film), and administrative approach (hyper-local and community-first), work together to build movement-based community programs that provide opportunities for young people to engage in the arts in ways that expand their worlds.
By expanding access to meaningful artistic experiences right where people live, young people discover their talents, their voices, and their way forward.